I help writers develop short films, features and television pilots through clear, practical editorial feedback. Whether a draft, outline or treatment needs structural work, stronger characterisation or a sharper emotional through-line, my focus is on identifying what is already working and where the script can go further.
Alongside my own writing, I have worked across production and script reading, and I am currently story editing a television series for a British-American broadcaster while developing short films and a pilot. 
My script editing is rooted in precise analysis (and occasionally scrupulous), strong instincts, a broad knowledge of film and television, and years of collaboration with other filmmakers. I’ve worked with agents, producers, directors and fellow screenwriters, many of whom have recommended and credited me for my input on their projects.​​​​​​​​​​​​​​
My writing is particularly drawn to themes of grief, sobriety and intergenerational dissonance, exploring how personal histories shape identity, family bonds and human relationships. These themes are informed by my own experiences and reflected in the characters and stories I create. As an editor, however, my role is never to impose my voice on your work, but to help you make your story clearer, stronger and more effective on its own terms. 

London Film School Graduation - Jan 2024

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